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You're the One That I Love So Give Me Something Baby

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Song by Jimmy McHugh and Dorothy Fields

"I Can't Give You Anything but Love, Baby"
Song by Jimmy McHugh and Dorothy Fields
Released 1928
Recorded 1928
Genre Jazz
Songwriter(s) Dorothy Fields
Composer(s) Jimmy McHugh
Producer(s) Jimmy McHugh

"I Can't Requite Yous Annihilation but Love, Baby" is an American popular song and jazz standard by Jimmy McHugh (music) and Dorothy Fields (lyrics). The song was introduced by Adelaide Hall at Les Ambassadeurs Club in New York in Jan 1928 in Lew Leslie's Blackbird Revue, which opened on Broadway later that year as the highly successful Blackbirds of 1928 (518 performances), wherein information technology was performed by Adelaide Hall, Aida Ward, and Willard McLean.

In the 100-most recorded songs from 1890 to 1954, "I Can't Give You lot Anything Only Love, Babe" (1928) is No. 24.[one]

Background [edit]

Jimmy McHugh and Dorothy Fields had written the score for a revue at Les Ambassadeurs Order on 57th Street, New York, which featured the vocaliser Adelaide Hall. However, the producer Lew Leslie believed that they still missed a 'smash' tune. The team pondered for a while earlier finally playing Leslie "I Can't Give You Anything just Love, Baby". This was the song Leslie had been looking for and he immediately included it in the revue.[two] One advertisement called it "the song success of the Nation."[iii]

Blackbird Revue opened on Jan four, 1928, with Adelaide Hall singing "I Can't Give You Anything just Love, Baby" solo. Later on, Fields and McHugh wrote a second half for the revue and Leslie expanded the production. With extra songs and actress performers added (including the vocalist Aida Ward), Leslie renamed the revue Blackbirds of 1928 and took the total production for a tryout in Atlantic Urban center, New Jersey, where information technology appeared at Nixon's Apollo Theatre. On May 9, 1928, Blackbirds of 1928 opened at the Liberty Theatre, Broadway.

The idea behind the song came during a stroll Fields and McHugh were taking one evening down 5th Avenue; they saw a young couple window-shopping at Tiffany'due south. McHugh and Fields understood that the couple could not beget to purchase jewelry from Tiffany's, but yet they drew closer to them. It was then they heard the human say, "Gee, honey I'd like to get you a sparkler like that, but right now, i can't give y'all nothin' merely honey!" Hearing this, McHugh and Fields rushed to a nearby Steinway Tunnel, and within an 60 minutes they came up with "I Can't Requite You Anything but Love, Babe".[4]

Some controversy surrounds the song's authorship. Andy Razaf'south biographer Harry Singer offers circumstantial evidence that suggests Fats Waller might have sold the melody to McHugh in 1926 and that the lyrics were past Andy Razaf.[v] Alternatively, Philip Furia has pointed out that Fields' poesy is almost identical to the terminate of the 2d verse of Lorenz Hart's and Richard Rodgers' song "Where's That Rainbow?" from Peggy-Ann, the 1926 musical comedy with book past Fields' brother Herbert and produced by their father Lew:[6]

Recorded versions [edit]

  • Louis Armstrong (recorded March 5, 1929, released by Columbia with the flip side "Black and Blue"[7] and with the flip side "Mood Indigo");[seven] also released by OKeh both with the flip side "No One Else but You". For other Louis Armstrong versions, including a 1943 motion-picture show performance see Ricky Riccardi'southward treatment of the song. Armstrong had a history of performing this song at the Savoy and Regal[3] before he recorded it.
  • Gene Austin (recorded November 23, 1928, released by Victor every bit catalog number 21798, with the flip side "I Wonder if You Miss Me Tonight"[eight])
  • Rube Bloom (recorded August ii, 1928, released by OKeh equally itemize number 41117, with the flip side "Because My Baby Don't Mean 'Maybe' Now"
  • King Cole Quintet (recorded in 1942, released by Disc as catalog number 2011, with the flip side "Pro-Sky"[9])
  • June Christy – Cool Christy (2002)
  • Bing Crosby included the song in his anthology Some Fine Sometime Chestnuts (1954)
  • Marlene Dietrich (1965)
  • Doris Day (1953 – not released as a single but recorded for a radio program; eventually released in the anthology Doris Day Sings 22 Original Recordings by Retrospect in 1987)
  • Duke Ellington and his Orchestra (recorded October 30, 1928, released past Montgomery Ward as catalog number 4990, with the flip side "Memories of You"[10])
  • Gay Ellis (pseudonym for Annette Hanshaw) & her Novelty Orchestra (vocal by Hanshaw, recorded July 24, 1928, released by Harmony as catalog number 706-H[11] and by Supertone as catalog number 1005P,[12] both with the flip side "I Must Accept That Man"[11] [12])
  • Seger Ellis and his Orchestra (recorded June 8, 1928, released by OKeh every bit itemize number 41077, with the flip side "Don't Continue Me in the Dark, Bright Eyes"
  • Ella Fitzgerald (1957) recorded live on the Verve release "Ella at Zardi'south"
  • Judy Garland included the vocal in her album Judy In Dear (1958). Garland also recorded a unlike version of the song on her live anthology, Judy at Carnegie Hall (1961).
  • Benny Goodman and his Orchestra (recorded September 6, 1937, released by Victor every bit itemize number 25678, with the flip side "Sugar Foot Stomp"[13])
  • Benny Goodman Sextet (recorded December 18, 1940, released by Columbia every bit catalog number 36755, with the flip side "Fiesta in Blue"[14])
  • The Goofus Five and their Orchestra (recorded June 27, 1928, released by OKeh equally catalog number 41069, with the flip side "Ready for the River"
  • Mildred Grizelle (released by Supertone as catalog number 9276, with the flip side "But a Little Blue for You".[15])
  • Mildred Grizelle (released by Gennett Records in 1928 under the New Electrobeam (Black Label) catalog number 6646, with the flip side "Depression Down" by Virginia Lee[xvi])
  • Adelaide Hall accompanied by Fats Waller, HMV, August 28, 1938, London, recorded at Abbey Road Studios, London
  • Johnny Hamp's Kentucky Serenaders (vocal by H. White; recorded May 17, 1928, released by Victor every bit catalog number 21414A, with the flip side "Sweetness Lorraine"[viii])
  • Billie Holiday (1936)
  • Hollywood Dance Orchestra (recorded Baronial 7, 1928, released by Claiming every bit catalog number 536,[17] besides released by Banner as catalog number 7193; as well released under the name Gem Trip the light fantastic Orchestra by Jewel every bit itemize number,[19] all with the flip side "Raggedy Maggie"[17] [19]
  • The Hot Sardines on their eponymous album released in 2014[20]
  • Jonah Jones Septet (recorded September iv, 1946, released by Prestige as an extended-play disc, catalog number PR-7604[21] and by Swing Records in French republic equally catalog number 228, with the flip side "That's the Lick"[22])
  • Louis Jordan (recorded March one, 1951, released by Decca equally catalog number 27620 with the flip side "Y'all Will Always Take a Friend"[23])
  • Diana Krall (released in 1999) on her anthology When I Look In Your Eyes.
  • Sam Lanin, with vocals provided by Irving Kaufman (May 1928)
  • Peggy Lee and Dave Barbour (released by Capitol every bit itemize numbers 511 and 10118, both with the flip side "Why Don't You Practise Right?"[24] [25])
  • Abe Lyman and his Californians (recorded Nov 26, 1928, released by Brunswick as catalog number 4136, with the flip side "Baby"[26]
  • Dean Martin (recorded January 28, 1957, released by Capitol as catalog number 3718 [78 rpm][27] and F-3718 [45 rpm],[28] with the flip side "I Never Had a Gamble"[27] [28])
  • Glenn Miller and the Army Air Forces Training Command Orchestra recorded the song in 1944 with Peanuts Hucko on vocals, released as 5-Disc No. 482A in August 1945
  • Mills Brothers (recorded December 22, 1932, released past Brunswick as itemize number 6519, with the flip side "Diga Diga Doo"[29])
  • Buddy Morrow (released by RCA Victor as catalog number twenty–3947, with the flip side "Our Song of Beloved"[30])
  • Rose Irish potato (recorded Dec 1947, released by Mercury equally catalog number 8111, with the flip side "Cecelia"[31])
  • Lee O'Daniel Hillbilly Boys (recorded June 10, 1937, released by Vocalion equally catalog number 03753, with the flip side "Thank you, Mr. Moon"[32])
  • Oscar Peterson (recorded May 21, 1953, released past Mercury every bit catalog number 89062, with the flip side "Spring Is Hither",[33] too released by Mercury subsidiary Clef under the same itemize number[34])
  • Ben Pollack's Pickarib Boys (recorded February 28, 1950, released by Discovery equally itemize number 131[35])
  • Harry Richman (recorded Baronial 28, 1928, released by Brunswick as catalog number 4035, with the flip side "King for a Day"[26])
  • Shilkret'southward Rhyth-Melodists (recorded September 22, 1928, released by Victor as itemize number 21688, with the flip side "I'm Sorry, Sally"[eight])
  • Lee Sims (recorded Nov 1928, released by Brunswick as catalog number 4152A, with the flip side "Sonny Boy"[26])
  • Joe Sullivan (recorded February 9, 1940, released by Conqueror as catalog number 9503[36] and by Vocalion equally catalog number 5496,[37] both with the flip side "Oh, Lady Exist Good"[37])
  • Sonny Stitt (recorded May eighteen, 1959, released past Verve in 1959 on "Sonny Stitt Sits in with the Oscar Peterson Trio")
  • Ted Straeter and his Orchestra (recorded March 24, 1942, released past Decca equally catalog number 18308B, with the flip side "What Is This Thing Chosen Love?"[38])
  • Ukulele Ike (Cliff Edwards) in New York, Dec. 7, 1928—Columbia 1471-D Columbia 5068
  • Ethel Waters with Duke Ellington (recorded December 22, 1932, released by Brunswick as catalog number 6517, with the flip side "Doin' the New Lowdown",[29] and every bit catalog number 6758, with the flip side "Porgy"[29])
  • Cootie Williams Rug Cutters (recorded October 26, 1937, released by Vocalion every bit itemize number 3890, with the flip side "Watching"[32])
  • Bob Wills and his Texas Playboys (recorded September 23, 1935, released by Columbiaas catalog number 37703[39] and by Vocalion as catalog number 03264,[40] both with the flip side "Never No More Blues"[39] [xl])
  • Lester Young (recorded November 28, 1952, released by Norgran in 1954 on Lester Young with the Oscar Peterson Trio)
  • Regis Philbin – When You're Grinning (2004)
  • Lorna Luft – Songs My Mother Taught Me (2007)

Tony Bennett and Lady Gaga version [edit]

"I Tin can't Give You Anything but Honey"
ICantGive-Single Cover.jpg
Single by Tony Bennett and Lady Gaga
from the album Cheek to Cheek
Released August nineteen, 2014
Studio Conway (Los Angeles)
Genre Jazz
Length 3:xiii
Label
  • Streamline
  • Columbia
  • Interscope
Songwriter(southward)
  • Dorothy Fields
  • Jimmy McHugh
Producer(s) Dae Bennett
Tony Bennett singles chronology
"Annihilation Goes"
(2014) 		"I Tin can't Give You Anything but Love"
(2014) 		"I Become a Kick Out of You"
(2021)
Lady Gaga singles chronology
"Anything Goes"
(2014) 		"I Can't Give You Anything simply Love"
(2014) 		"Til It Happens to You"
(2015)
Music video
"I Can't Give You Anything just Love" on YouTube

Composition and reception [edit]

The version of "I Can't Requite You Anything but Dear" on Cheek to Cheek has Tony Bennett and Lady Gaga alternating verses alongside piano, a brass department and drums.[41] She also altered the lyrics to sing "Gee, I'd like to say you're looking swell, Tony", who later on rejoins with the line "Diamond bracelets won't work, doesn't sell, Gaga".[42] [43] Jeff Benjamin from Fuse was positive in his review, saying that "[t]hither's a walking bassline, gospel organs and brassy horn blasts to back the pair's soulful crooning. And while we love listening to Gaga and Tony, we really get into the throwback vibe when the trumpet solo kicks in.[44] Trey Barrineau from Usa Today complimented the duos vocals, saying that the song "actually swings".[45]

Jesse David Play a joke on from New York too gave a positive review, stating that "lot has been written most the artistic and commercial shortcomings of Gaga'southward terminal record, [Artpop], but I, for 1, am glad about its failure – because anything that frees her up to record more music with Tony Bennett is a win in my book. 'I Can't Give You lot Anything but Beloved' is a bang-up example; Tony Bennett might be 88, but information technology's Gaga who hasn't sounded this alive in years."[46] A author for Next Magazine declared that Gaga sounded "absolutely stellar" in the vocal, and institute it to exist a "vocal vehicle" for the artist to "bear witness off" her singing.[47] Debra Kamin from The Times of Israel praised Gaga's vocals on "I Can't Requite You Anything but Love", for her range and control.[48] MTV News critic Gil Kaufman described the rails equally "funky".[49] Alexa Camp from Slant Mag gave a negative review, saying that "for a vocaliser who isn't even 30, Gaga's vocalization is shockingly rough-hewn".[50]

Release and commercial performance [edit]

"I Can't Requite You Anything but Dear" was released every bit the 2d unmarried from Bennett'due south and Lady Gaga'due south first collaborative album Cheek to Cheek (2014) on August 19, 2014. Gaga announced the release on Twitter, accompanied by the single'due south encompass art.[51] On October 6, ii remixes of the song were made available for digital download. Remix by Italian record producer Giorgio Moroder was released exclusively to Idolator website. The chords of the original version was changed, with Moroder adding synths and a bassline, complementing the vocals of Bennett and Gaga.[52] Another remix, was an Earmilk exclusive and was made by Austrian musician Parov Stelar. He inverse the comprehend into a "bouncy jazz house mix that provides a perfect compliment to the stars' seasoned vocals".[53] Additionally, Universal Music Group sent the single to Italian radios on January xvi, 2015.[54] Later on its release, "I Can't Give Y'all Annihilation but Love" debuted at number-one on the Jazz Digital Songs chart of Billboard, on the week ending September 6, 2014.[55] The single also appeared on national charts of France and Italia at numbers 173 and 76 respectively.[56] [57]

Music video [edit]

An official music video for the vocal was released on August 26, 2014. The video was shot in the recording studio and the first half showed Gaga in numerous outfits and wigs, while recording the song and roaming effectually. Bennett joins the studio sessions later on, singing the vocal. The final chorus finds the two singers belting together, described every bit "join[ing] forces for a peculiar, yet potent blend of styles that transcends generations and genres".

Jon Blistein from Rolling Stone complimented the video, saying that it "proves [Gaga and Bennett] exude a unique, ambrosial brand of musical chemistry".[58] Maurice Bobb from MTV News noticed the "bare essence" of the duo in the video and added that Gaga appeared "overwhelmingly subdued", but felt that "her playful energy still shines through as she preens and shimmies to [Bennett's] smooth crooning."[59] Nolan Feeney from Fourth dimension that Gaga appeared normal in the video and added that "she'south still fun to watch fifty-fifty when she's just hanging out in the vocal both (and dressed like a relatively normal human, no less)."[lx] Katie Atkinson from Billboard alleged that "If you lot beloved the adorable friendship betwixt glam popular queen Lady Gaga and archetype crooner Tony Bennett, you lot'll definitely want to encounter the breezy backside-the-scenes studio video of the pair for 'I Can't Requite You Anything but Beloved'."[61] Idolator's Mike Wass described the video in detail, calling it the "perfect antidote for Gaga'due south overwhelming, more-is-more Artpop visuals... The swingin' standard is a nice fit for Gaga and Tony. It allows them to riff off each other and ham it upwardly (ever so slightly). Those shenanigans are captured in the studio-based video, which finds Mother Monster modeling a multifariousness of wigs and smoking a cigar. Her suave companion looks a little bemused just he'south clearly having a good time."[62]

Charts [edit]

Release history [edit]

Use in the media [edit]

  • In the 1931 short motion picture The Altogether Party, the vocal is performed as a duet between Mickey and Minnie Mouse.
  • The song is featured in the screwball comedy Bringing Upwardly Baby (1938) in several scenes, since manifestly the song is the simply matter that placates the surly leopard named Baby, which quirky heiress Susan Vance (Katharine Hepburn) and befuddled paleontologist Dr. David Huxley (Cary Grant) have to bring to her aunt.
  • In Seven Sinners (1940), the song is performed by the graphic symbol Bijou Blanche, portrayed past Marlene Dietrich.
  • Lena Horne performed this vocal in the film Stormy Weather (1943).
  • Judy Holliday sings this while playing cards in the film Born Yesterday (1950).
  • The song is sung by the strip-social club MC in John Cassavetes' picture The Killing of a Chinese Bookie (1976).
  • The song is featured in the curt animation Contract (1985).
  • The song is used in the picture show version of The Light-green Mile (1999).
  • The song is featured in the 2006 Tony Award-winning Broadway play Jersey Boys (forth with the 2014 film accommodation of the aforementioned proper noun).
  • The song is played during the episode "He'due south Our Yous" of Lost.
  • The song is played during The Aviator (2004).
  • A version of the vocal sung by Doris Mean solar day is played during the opening credits of Married Life (2007).

References [edit]

  1. ^ Promise, Carolyn. "Barry's Hits of All Decades". hitsofalldecades.com . Retrieved July 25, 2018. This list was compiled by information from the volume Joel Whitburn's Pop Memories 1890–1954 (1986) Published by Billboard Publications
  2. ^ Williams, Iain Cameron (2002). Underneath a Harlem Moon (one ed.). London: Continuum. pp. 129–139. ISBN0826458939.
  3. ^ a b Brothers, Thomas (2014). Louis Armstrong: Master of Modernism. New York, NY: W.W. Norton & Company. p. 329. ISBN978-0-393-06582-4.
  4. ^ Burton, Jack (May 27, 1950). "The Honour Ringlet of Popular Songwriters: No. 62 — Jimmy McHugh". Billboard. William H. Donaldson. p. 42. ISSN 0006-2510.
  5. ^ "I Can't Give Y'all Anything merely Dearest, Baby" at Jazz Standards
  6. ^ Furia, Philip (1990). The Poets of Tin Pan Aisle: A History of America'due south Great Lyricists . Oxford University Printing. pp. 216–17. ISBN978-0195074734.
  7. ^ a b Columbia Records in the 38000 to 38499 serial
  8. ^ a b c Victor Records in the 21500 to 21999 series
  9. ^ Disc Records discography
  10. ^ Montgomery Ward Records in the 4500 to 5041 serial
  11. ^ a b Harmony Records in the 1001P to 2027P series
  12. ^ a b Supertone Records in the 1001P to 2027P series
  13. ^ Victor Records in the 25500 to 25900 series
  14. ^ Columbia Records in the 36500 to 36999 series
  15. ^ Supertone Records in the 9000 to 9498 series
  16. ^ "Supertone for Sears - numerical listing discography: 9000 - 9500".
  17. ^ a b Challenge Records in the 500 to 999 series
  18. ^ a b Precious stone Records in the 5000 to 5499 serial
  19. ^ The Hot Sardines
  20. ^ Prestige Records discography, 1933 to 1948
  21. ^ Swing Records discography
  22. ^ Decca Records in the 27500 to 27999 serial
  23. ^ Capitol Records in the 500 to 999 series
  24. ^ Capitol Records in the 10000 to 10210 serial
  25. ^ a b c Brunswick Records in the 4000 to 4499 series
  26. ^ a b Dean Martin 78 rpm discography on the Dean Martin fan site
  27. ^ a b Dean Martin 45 rpm discography on the Dean Martin fan site
  28. ^ a b c Brunswick Records in the 6500 to 6999 series
  29. ^ RCA Victor Records in the 20-3500 to twenty-3999 series
  30. ^ Mercury Records in the 8000 to 8310 series
  31. ^ a b Vocalion Records in the 3500 to 3999 series
  32. ^ Mercury Records in the 89000 to 89098 series
  33. ^ Clef catalog
  34. ^ Discovery Records discography
  35. ^ Conqueror Records in the 9500 to 9960 series
  36. ^ a b Vocalion Records in the 500 to 5499 series
  37. ^ US Decca Records in the 18000 to 18499 series
  38. ^ a b Columbia Records in the 37500 to 37999 series
  39. ^ a b Vocalion Records in the 3000 to 3499 series
  40. ^ Reuter, Annie (Baronial 19, 2014). "Listen: Tony Bennett and Lady Gaga Duet on 'I Can't Requite You Annihilation But Love'". Radio.com. CBS Interactive. Archived from the original on September 28, 2015. Retrieved Baronial 28, 2014.
  41. ^ Abound, Kory (August nineteen, 2014). "Hear Lady Gaga and Tony Bennett'southward Latest 'Cheek to Cheek' Love Song". Rolling Stone . Retrieved Baronial nineteen, 2014.
  42. ^ "Tony Bennett and Lady Gaga – Cheek to Cheek – Palatial Edition". United states: iTunes Store. Retrieved August 28, 2014.
  43. ^ Benjamin, Jeff (August 19, 2014). "Lady Gaga & Tony Bennett Cover 1920s Song "I Can't Give You Annihilation But Love"". Fuse. Retrieved Baronial 28, 2014.
  44. ^ Barrineau, Trey (August 26, 2014). "Lady Gaga, Tony Bennett unveil video for 'I Tin't Requite Yous Anything Just Love'". USA Today . Retrieved Baronial 28, 2014.
  45. ^ Flim-flam, Jesse David (August 20, 2014). "9 Best New Songs of the Calendar week". New York . Retrieved Baronial 28, 2014.
  46. ^ "Lady Gaga & Tony Bennett, "I Can't Give You lot Annihilation But Love"". Adjacent Magazine. August 27, 2014. Archived from the original on September 3, 2014. Retrieved August 28, 2014.
  47. ^ Kamin, Debra (September 14, 2014). "Lady Gaga's color-drenched honey fest is perfect heave after summer rocket war". The Times of Israel . Retrieved September 14, 2014.
  48. ^ Kaufman, Gil (September 16, 2014). "Lady Gaga And Tony Bennett's 'Cheek To Cheek': A Track By Track Breakdown". MTV News. Retrieved September 16, 2014.
  49. ^ Camp, Alexa (September 17, 2014). "Tony Bennett & Lady Gaga: Cheek to Cheek". Slant Magazine . Retrieved September 18, 2014.
  50. ^ a b Gibson, Megan (August 19, 2014). "Lady Gaga Unveils Comprehend Art For Duet Album With Tony Bennett". Time . Retrieved August xix, 2014.
  51. ^ a b Daw, Robbie (Oct half-dozen, 2014). "Giorgio Moroder's Remix Of Tony Bennett & Lady Gaga'due south 'I Tin can't Give You Anything But Dearest': Idolator Premiere". Idolator. Retrieved February 8, 2021.
  52. ^ a b Tewksbury, Colin (October six, 2014). "Parov Stelar mixes Lady Gaga and Tony Bennett's "I Can't Give You Anything But Love" [Premiere]". Earmilk. Retrieved February eight, 2021.
  53. ^ a b Aldi, Giorgia (January 14, 2015). "Tony Bennett & Lady Gaga - I Can't Requite You Anything But Love (Radio Appointment: xvi-01-2015)" (in Italian). EarOne. Retrieved August 24, 2020.
  54. ^ a b "Jazz Digital Songs : Sep 06, 2014". Billboard. Archived from the original on November 27, 2014. Retrieved Baronial 24, 2020.
  55. ^ a b "Tony Bennett & Lady Gaga – I Can't Requite You Anything Only Dearest" (in French). Les classement single. Retrieved August 30, 2014.
  56. ^ a b "Classifica settimanale WK 34". Federazione Industria Musicale Italiana. Retrieved August 24, 2020.
  57. ^ Blistein, John (August 26, 2014). "Run into Lady Gaga and Tony Bennett's Chemical science at Work in the Duo's New Video". Rolling Stone . Retrieved Baronial 28, 2014.
  58. ^ Bobb, Maurice (Baronial 26, 2014). "Lady Gaga And Tony Bennett Strip Downwards For The 'I Tin't Give You lot Anything Simply Love' Video". MTV News. Retrieved August 28, 2014.
  59. ^ Feeney, Nolan (August 26, 2014). "Lady Gaga Acts Like a Normal Person in the Video for Her Tony Bennett Duet". Time . Retrieved August 28, 2014.
  60. ^ Atkinson, Katie (August 26, 2014). "Sentinel Lady Gaga & Tony Bennett Feeling the 'Dearest' in Studio Video". Billboard . Retrieved Baronial 28, 2014.
  61. ^ Wass, Mike (August 26, 2014). "Lady Gaga & Tony Bennett Jam In Their Low-Cardinal 'I Tin can't Give You Anything But Love' Video: Watch". Idolator. Retrieved August 28, 2014.

External links [edit]

  • Sam Lanin & His Orchestra – I Can't Give You Anything But Love on YouTube
  • Tony Bennett and Lady Gaga – I Tin can't Requite Y'all Anything only Honey (Audio) on YouTube
  • Tony Bennett and Lady Gaga – I Can't Requite Yous Annihilation merely Dear (Video) on YouTube

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Source: https://en.wikipedia.org/wiki/I_Can%27t_Give_You_Anything_but_Love,_Baby

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